solarflares: the archives of december.
Betrayed in the Octagon - Oneohtrix Point Never
You probably know about this guy.
‘I always enjoyed the idea that krautrock was considered highbrow, yet New Age textures signaled something more cheesy and lowbrow,’ said Lopatin. ‘But there’s also a superficial dissolution of the ego in both New Age music and Western mysticism that I find amusing.’ Animal Collective’s Brian ‘Geologist’ Weitz agrees: ‘I think the reason there is a stigma attached to a lot of New Age music is because of the personalities associated with it and the naive optimism to their aesthetic.’
New Age music preached spirituality, environmentalism, self-evolution and the like, yet when musicians and the major record labels saw the successes that an auteur like Halpern had with his cottage industry, big money soon followed. ‘New Age music was one of the very first completely amateur-driven genres,’ said Mcgowan. ‘Yet it became commercialized around the same time as Ronald Reagan’s remaking of America in 1984, where something that started as a countercultural hippie movement was completely co-opted.’ New Age became big business, leading to subsequent Halpern releases with oddly utilitarian titles like ‘Music for Your PC’ and ‘Attracting Prosperity,’ not to mention the international success of Enya, who has sold more than 75 million records worldwide.
Nothing like the sound of white people getting spiritual.
I think we have a good read on our hands.
Question: When does Enigma, Deep Forest, Banco de Gaia get the post-ironic reappraisal? Give it another five years? Three?
Heavy-hitters include Gak, Marcel Dettman, Jeff Mills, Aphex, Rhythim Is Rhythim, Underground Resistance…
“Quite simply, FACT mix 168 is arguably the most coherent, persuasive and impassioned techno session we’ve ever had the pleasure of presenting to you. Do not miss.”
Oneohtrix Point Who?
“Slowed down 6%, bounced down to tape and loads of compression. Sounds like codeine. Just a bunch of jams I like at the moment.”
Oh yeah, that guy.
Harold Faltermeyer, Andreas Vollenweider, Asmus Tietchens and Autechre?
I’d reblog that shit twice.
“On some level, music, sound consciousness and religion are all one…”
Christopher Olson (@standardgrey) is a Canadian writer and erstwhile artist based in Japan.
Recent sound work can be heard on SPOOX, Framework : Afield, Instagrambient: 25 Sonic Postcards, and as part of The Disquiet Junto. He has lectured on sound matters at Center A and the Or Gallery in Vancouver.
His obsessive musical hoarding tendencies and occasional scribblings between paid gigs are aired out here.
|||The 2013 Year-end List
||| The 2012 Year-end List
|||(((THE MIXTAPE ARCHIVE)))
||| The Liminal scribblings
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